Thursday 14 May 2009

Damn...

Right, my last post got deleted...Again. Which is kinda worrying. Unfortunately I didn't have it saved this time.

So here are the tunes which I presume will be safe to post again, without the text. Joe & Will Ask? tracks have been removed; those are the ones which may have been an issue although I haven't received an email about it so perhaps it just, disappeared?







Monday 4 May 2009

Mr Vega EP Exclusive

Mr Vega is a self styled ‘remix king’ from the US. Having attracted some hype over the past few months for (among many many others) remixes of Dance Area’s ‘AA247’, Little Boots’ ‘Stuck on Repeat’ and ‘Extraball’ by Yuksek, Vega thought it was high time to release new original material. Mr Vega follows in that great tradition that is the production, recording and distributing of ones own music; though it’s hard to imagine such a consistently good remixer being without a label for long.

His new EP, Live Dance Then Die is a mélange of dance stylings, and he released a teaser onto myspace about a week ago. The title track appealing to the listener with a Monsieur Oizo bass line and clever sampling, but soon makes way for the distinctly more distorted second track. Think proxy but with an angry dude shouting ‘what up’ over the top. It’s big. The mix moves along nicely, past ‘Get Up On The Dancefloor’ (read on for exclusive...), to ‘Its Vega Time’; a song where distortion is replaced by distinctive, catchy chords which just seem to make you smile. Yeah, OK the song title could be slightly less narcissistic, but it’s not like he called it ‘Vega Theme’ or anything.  Crunchy synths return in the final track; which chews its way nicely through the side of your face, and as the mix fades out it is ‘Bad Breakfaast which really grabs your attention.

Live Dance The Die EP Minimix - Mr Vega

The third track – ‘Get up on the Dancefloor’ is a slice of purist electo; the distinctive layered drumbeats and looped samples build before being replaced by bouncy synths. This tune is fast-paced, it begs you to jump-up, and makes you wait until the second drop. Compared to the distortion based tunes in the mixtape ‘Get Up On The Dancefloor’ seems to leave you wanting something although the production is smooth and the track definitely fulfills its basic premise – to get you up and dancing (ah samba). Here it is; It’s Vega Time. 

Get Up On The Dancefloor - Mr Vega

Bonus: Love You Madly -The Young Lovers aka Herve


Friday 1 May 2009

Crossing Borders



Sometimes you run into a song which changes things drastically. Herve's dub remix of his own 'Science of Fear' smashes it; electro vocals and synths flatter, before a wonky beats and reggae style drumbeats crash around the track. Well-produced; as you would imagine, the vocal
 climbs towards a second altogether more viscious drop. Herve has done something special with this track, its varied nature creating a beautiful synthesis of dubstep and electro. Moreover the track forms a progression - it flows well, is engaging and especially epic.


On a completely different note, french house is having a revival; but the French have nothing to do with it. Sidechains are from Barcalona, and Louis La Roche (otherwise know an Night Facilities) is an 18 year old hailing from home shores. Sidechains' remix of 'Peach' from Louis' debut EP is a bouncy, upbeat affair which sees Sidechains cut up the original, leaving the distinctive synths but effectively giving the song a dancefloor bodykit.

Friday 24 April 2009

Six Sounds of Early Summer

Oh my days, the library is so necessarily oppressive. I don't know whether its the musty smelling tomes or the sad people's faces lining walls of same such similar desks, but it really really aches in here. What's worse, its been sunny outside all week - not ideal when you have a stack of work to do and summer is beaming down outside. This post comprises of the tunes which have got me through the last week, it's a lot more brief than the last posts - purely because I can't justify spending hours writing a blog post when Ben Jonson's Volpone is staring me in the face. I understand the inherent irony centring around blogging when I should be writing on a heavily satirical play. It seems I have become, like the devicical (sp) characters of Jonson's verse, a fool. My wit declines. 

Anyway, enough of this gurgled literary jargon - here are the tunes which work well, with some slight justification.


Beautiful, upbeat, and entrenched in wonderful harmony. 


Rolling beats nod a head till the vocals break through nice ice.


Club Banger from Californian Based duo.


Subtly done remix from the hot-right-now D.I.M


Soundsystem smashing Brighton beach ethic. Mumdance brings party to the people. 


Catchy tune, catchy remix. More understated than FB's - built to warm your core. 

Tuesday 21 April 2009

Round, Round, Round We Go

Hey, my last post seemingly dissapeared - but because the internet went off I saved it on wordpad... so here it is again without the pictures...

Sometimes music seems to be made for blogging. Things just, fall into place. This post is all about the industry - the music i'm posting is largely cyclical, and somewhat coincidental. Anyway enough of this lingering prose: on with the goods. 

First up are two songs centering around the next big night I'll be attending. Wax:On is possibly the most well known Electro promotions company outside London. Continually defining the genre with huge line-ups, they have championed pretty much every good DJ you'd care to name. Quite frankly if you haven't heard of their club nights, you haven't been paying attention and should go back to school. Anyway, the line-up for Wax:On at Digital Newcastle on the 1st May is huge. The inimitable Fake Blood is headlining, and I'm already shaking at the prospect. TC Monckton claims the foot of the bill, whilst Proxy and Doorly fill the remaining slots. Its the former and latter artists I'm currently concerned with.

First up is a remix of Armand Van Helden's all too well known dance hit 'I Want Your Soul'. Fake Blood does a good job of cutting up the vocals whilst leaving the song to work most of its catchy magic. Slightly more subtle than many of Fake Blood's other remix efforts, this song takes a typically housey tune and flips it upside out. The song builds and breaks a few times, but it's not until the three and a half minute mark that things get really heated. The cut-up vocals are pulled apart as the instrumentals disintigrate, before 'Blood kicks it back in. This is a summer tune, and a great re-working of a (now) classic tune. 


Mr Van Helden provides the subject matter for the next track in the tow line, when his collaboration with Dizzee (expect to hear the original over, and over, and...) is remixed by Doorly. This song will melt things. You can feel the energy of the track from the word go, as hollow drums and a whir of energy start to build. Dizzee's inimitable voice is added into the mix - and it fast becomes apparent we're in for a rough ride. The track builds, and whilst I often dismiss the lyrics of Grime artists as repetetive, here Doorly's clever sampling smashes that conception out of the water. When the track drops for the first time it's big - when it drops the second time people are running scared. This is a Banger with a capital B and no denying it. Absolute dubsteppity filth. 


My secondary Doorly dose is a sweet pill to swallow, more instrumental than the preceding track, it moves more slowly - this time the vocals (from Calvin Harris) compliment the pseudo-dubstep sounds emaciated by Doorly, rather than fighting against them. This is another big one, and in his remix Doorly manages to take a seemingly innocent track and smash ten rounds out of it. This is a clash of heaven made vocals and churning dubstep. 


Another remix of the same tune comes from the inimitable Deadmau5. Currently rocking every venur he visits, with a huge following and a sugar-sweet-sound, the Mau5 is on top. His remix of Harris couldn't be further from Doorly's attempt, where heavy dub beats are replaced with a two-step drumsound and typically edenic instrumentals. Deadmau5 is playing at Victoria Works in Leeds on the 3rd - and personally I can't think of a better way to bank holiday. Mau5 knows how to put on a show; and is a working model of how you can become a superstar all on your own. He releases on his own label, and his essential mix (its worth checking out) was full of his own material. Anyway, here it is. By the way, DJ'ing can be a notoriously lonely existance, which is why I believe the track 'I'm Not Alone' appeals to these guys. 


Extra Goodness...